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The Galli-Bibiena family, or Galli da Bibiena (also spelled "Bibbiena"), was a family of Italian artists of the 17th and 18th centuries, including:〔 "Ferdinando Galli Bibiena Online" (overview), John Malyon, ''Artcyclopedia'', 2005, Artcyclopedia.com webpage: (Artcyc-FBibiena ). 〕〔 "Bibiena, Galli da, Family" (history), ''Encyclopædia Britannica Online'', 18-November-2006, Britannica.com webpage: (EB-Bibienas ). 〕〔 Galli de Bibiena collection at the Canadian Centre for Architecture, webpage: ("Baroque Scenography: The Galli Bibiena Family" ). 〕〔 "Galli-Bibiena, Ferdinando" (history), ''Encyclopedia of Austria'', 2006, Aeiou-Austria webpage: (aeiou-FerdinandoGBibiena ): has dates, Farnese dynasty, travel to Barcelona for Karl VI. 〕〔 "Artists' Biographies: Galli-Bibiena (da Bibiena )," ''artnet - The art world online'', NY, 2006, webpage: (an-GBibiena ) ("artnet" is a trademark of artnet Worldwide Corporation). 〕 * father, Giovanni Maria Galli da Bibiena (1625–1665); * daughter Maria Oriana Galli Bibiena (1656–1749), Italian painter; * son Ferdinando Galli Bibiena (1656–1743), Italian architect/designer; * son Francesco Galli Bibiena (1659-1739), Italian architect; * grandson, Alessandro Galli Bibiena (1686–1748), architect/painter; * grandson, Giuseppe Galli Bibiena (1696–1757), Italian designer; * grandson, Antonio Galli Bibiena (1697–1774), Italian architect; * grandson, Giovanni Carlo Galli-Bibiena (1717-1760), architect/designer;〔 * greatgrandson, Carlo Galli Bibiena (1728–1787), designer, son of ''Giuseppe Galli Bibiena''. The ''Galli-Bibiena'' family derives its name from the surname and birthplace of papa ''Giovanni Maria Galli'' (1625 - 21 June 1665),〔 who was born at Bibbiena (Italy) outside Florence.〔 Giovanni was a student of painting and assistant under Francesco Albani, being, evidently, adept at the depiction of water scenes.〔 He produced faithful copies of his master’s paintings. His surviving independent works include an ''Ascension'' (1651; Bologna, Certosa) and, in the church of ''Buon Gesù'', Bologna, also a fresco of ''"St Bernardino"'' and two sibyls.〔 Giovanni Maria Galli-Bibiena died on June 21, 1665 in Bologna,〔 but he had laid the foundations of an artistry which was continued by his descendants, who dedicated themselves to architectural work and set design for the theatre.〔 Using the highly ornate style of late baroque sculpture and architecture, the members of the ''Galli-Bibiena'' family produced a series of theatrical and other designs that are exceptional for their intricate splendour and spacious proportions achieved by detailed perspective.〔 From about 1690 to 1787, eight Bibienas designed and painted for many of the courts of Europe with intricate settings for operas, weddings, and funerals. The Habsburgs were their most generous patrons.〔 The works of the Galli-Bibiena family in theatrical scenery were not executed in durable material. Also, because their decorative works for court functions were necessarily temporary, few of their creations have survived; however, the richness and splendour of their works can be judged from drawings made at the time, which have been preserved in great numbers and are found mainly in collections at Vienna, Munich, Dresden and Montreal.〔〔 == Sons and daughter == Maria Oriana Galli-Bibiena (1656-1749), Italian portrait painter, born at Bologna, was daughter of Giovanni Maria Galli.〔 Maria studied with Carlo Cignani and Marcantonio Franceschini, and she specialized in portraits and history pictures.〔 She married the younger landscape painter Gioacchino Pizzoli (1661–1773), and later, their son Domenico Pizzoli (1687–1720) also became a painter. Maria, at age 93, had outlived her famous brothers and died in Bologna in 1749.〔 Ferdinando Galli Bibiena (18 August 1656 - 3 January 1743),〔 born at Bologna, was the first son of Giovanni Maria Galli.〔 He studied painting from Carlo Cignani and architecture from Giulio Troili. He worked for the duke of Parma 30 years,〔 on the villa and garden of Colorno, but also worked for the theatre.〔 In 1708, at Barcelona, he arranged decorations for wedding festivities of the prince, future Charles VI, Holy Roman Emperor; Ferdinando went to Vienna and worked on designs of scenery and decorations for court festivities and the opera. Returning to Bologna in 1717, he was elected a member of the Clementine Academy. Beginning in 1731, he built the Mantua royal theatre (which burned in 1781). He wrote several books, including: ''L'Architettura civile'' (1711; "Civil Architecture" and various titles) and ''Varie opere di prospettiva'' (1703–1708; "Various Works of Perspective").〔 :: Francesco Galli Bibiena (12 December 1659 - 20 January 1739),〔 "Galli-Bibiena, Francesco" (biography), ''Encyclopedia of Austria'', 2006, aeiou-Austria webpage: (aeiou-FrancescoGBibiena ): has dates, work for Leopold I, designed ''Große Komödiensaal''. 〕 Italian architect and designer, was born at Bologna as the second son of Giovanni Maria Galli.〔 He studied under both Lorenzo Pasinelli and Carlo Cignani. After working at Piacenza, Parma, and Rome, he then became the ducal architect at Mantua. After living in Genoa and Naples, Francesco Galli Bibiena was called by Emperor Leopold I to the Vienna Hofburg, where in 1700, he built the large theatre ''Große Komödiensaal'' ("Grand Hall of Comedies"), which became the Court Theater (Burgtheater).〔 After a short stay in Italy and in Lorraine, he was invited by Emperor Joseph I, back to the Hofburg, to work as the "First Theatrical Engineer" and as a scene-painter/decorator from 1709-1712.〔 Francesco was architect of the great theatre in Nancy, France; of the Teatro Filarmonico at Verona (Verona Philharmonic Theatre, which some have called the finest theatre in Italy); and of the Teatro Alibert in Rome. In 1726, Francesco returned to Bologna, where he directed the Clementine Academy.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Galli da Bibiena family」の詳細全文を読む スポンサード リンク
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